ISBN/ISSN:9780300211931 :
责任者:Goodyear, Anne Collins.
题名:This is a portrait if I say so : identity in American art, 1912 to today=如果我说这是一幅肖像:1912年至今美国艺术中的身份认同/ Anne Collins Goodyear, Jonathan Frederick Walz, and Kathleen Merrill Campagnolo ; with a contribution by Dorinda Evans.
附加题名:Identity in American art, 1912 to today
出版项:[Brunswick, Maine] : Bowdoin College Museum of Art in association with Yale University Press, 2016.
载体形态:xi, 252 pages : illustrations (chiefly color) ; 29 cm.
附注:Published on the occassion of the exhibition of the same name that took place at Bowdoin College Museum of Art, June 25-October 23, 2016 Includes bibliographical references and index
附加责任者:Walz, Jonathan Frederick, Campagnolo, Kathleen Merrill, Evans, Dorinda, Bowdoin College. Museum of Art,
豆瓣内容简介:
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art
This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O’Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished—1912–25, 1961–70, and 1990–the present—the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity.
Taking its title from a 1961 work by Robert Rauschenberg—a telegram that stated, “This is a portrait of Iris Clert if I say so”—this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
Anne Collins Goodyear is co-director of the Bowdoin College Museum of Art. Jonathan Frederick Walz is curator of American art at the Sheldon Museum of Art, University of Nebraska-Lincoln. Kathleen Merrill Campagnolo is an independent curator and scholar. Dorinda Evans is professor emerita, art history, Emory University.
豆瓣作者简介:
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A | 专业一库 | 10589419 | J209.712/G658 | 10589419 | 在架可借 |
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