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字段	字段内容
02
001	02h0015479
005	20121116100111.0
008	$2: 01211s2010 ne a bc 00000 eng d
020	$a: 9040076804
040	$a: ERASA$c: ERASA$d: NGA$d: NLGGC$d: CDX$d: CGU$d: YDXCP$d: BWX$d: JCU
050	$a: ND653.V5$b: A4 2010
093	$a: J205.563$2: 4
100	$a: Buijsen, Edwin.
242	$0: 0$a: 早期的维梅尔
245	$1: 4$a: The young Vermeer=早期的维梅尔 /$c: by Edwin Buijsen ; with a contribution by Geerte Broersma.
260	$a: The Hague :$b: Royal Picture Gallery Mauritshuis ;$a: Zwolle :$b: Waanders Publishers,$c: c2010.
300	$a: 92 p. :$b: ill. (some col.) ;$c: 28 cm.
500	$a: Catalog of an exhibition held at the Royal Picture Gallery Mauritshuis, The Hague, May 12-Aug. 22, 2010, the Gema
504	$a: Includes bibliographical references (p. 88-91).
520	$a: Summary: When Vermeer began painting around the age of 21, he focused primarily on traditional subjects derived from the Bible and classical mythology. Not only do these early works differ greatly from his later paintings in terms of subject matter, they also differ in style. The exhibition unites three paintings from the beginning of Vermeer's artistic career: the Mauritshuis' Diana and her nymphs of c. 1653-1654, is joined by Christ in the house of Martha and Mary (c. 1655) from the National Gallery of Scotland in Edinburgh, and The Procuress (1656) from the Staatliche Kunstsammlungenin Dresden. These three paintings have recently been restored. Within this context, the differences between Johannes Vermeer's early and late work also emerge clearly. The young Vermeer is organised in collaboration with the Gema
600	$1: 0$a: Vermeer, Johannes,$d: 1632-1675$v: Exhibitions.
700	$a: Broersma, Geerte.
710	$a: National Gallery of Scotland.
905	$a: 261410$p: 10489025$d: J205.563$r: CNY280.00$e: B932