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字段	字段内容
02
001	02h0021173
005	20150521113109.0
008	$1: 50521s2014 enka 000 0deng d
020	$a: 0500970610
040	$a: ERASA$b: eng$c: ERASA$d: OCLCQ$d: UKMGB$d: YDXCP$d: NhCcYBP$d: NhCcYME$d: UtOrBLW
050	$a: ND497.D34$b: F55 2014
082	$0: 4$a: 759.2$2: 23
093	$a: J233.8(561)$v: 4
100	$a: Davenport, Ian.
242	$a: 英国抽象画家伊恩·达文波特
245	$1: 0$a: Ian Davenport=英国抽象画家伊恩·达文波特/$c: by Martin Filler ; Ian Davenport in conversation with Michael Bracewell ; introduction by Damien Hirst.
260	$a: London :$b: Thames & Hudson Ltd.,$c: 2014.
300	$a: 293 pages :$b: color illustrations ;$c: 30 cm.
505	$0: 0$a: Machine generated contents note: $t: Music for The Eye: The art of Ian Davenport /$r: Martin Filler -- $t: After Goldsmiths -- $t: Poured Paintings -- $t: The New Millennium -- $t: Public Commissions -- $t: A New Direction -- $t: Looking Ahead -- $t: Conversation With Ian Davenport, London, June 2013 /$r: Michael Bracewell.
520	$a: Over the past 25 years Ian Davenport has consistently employed intensely rigorous and unconventional painting processes. This book provides an in-depth examination of his production, from his electric fan paintings, to his poured arches, circles, lines and puddle paintings. He has experimented with method and medium, exploring the qualities and applications of paints, both in his early monochrome paintings and in his later complex colour combinations. His paintings draw upon the rich heritage of European and American abstraction, and also the contemporary urban environment of London. Davenport is a keen drummer and listens to music while he paints. The musical influence is important; in his more recent paintings the repetition of multiple vertical lines of various colours creates an underlying rhythm that pulses through each work.
600	$1: 0$a: Davenport, Ian,$d: 1966-$x: Criticism and interpretation.
650	$a: Painters$z: Great Britain.
700	$a: Hirst, Damien,$e: writer of introduction.
905	$a: 261410$p: 10505404$e: D247$d: J233.8(561)$r: CNY523.00