字段 | 字段内容 |
---|---|
02 | |
001 | 02h0104110 |
003 | OCoLC |
005 | $2: 0240426091142.0 |
008 | $0: 41213s2001 cau 000 0 eng d |
010 | $z: 93027573 |
020 | $a: 9780961454739$q: hardback |
040 | $a: EDK$b: eng$e: rda$c: EDK$d: OCLCQ$d: AU@$d: LMR$d: CNVPL$d: CPE$d: GZI$d: TTS$d: ORX$d: BDX$d: WEA$d: OCLCF$d: EDK$d: OCLCA |
093 | $a: J70-05$2: 5 |
100 | $a: Bayles, David. |
242 | $a: 艺术&恐惧:洞察艺术创作的风险(和回报) |
245 | $1: 0$a: Art & fear :observations on the perils (and rewards) of artmaking=艺术&恐惧:洞察艺术创作的风险(和回报) /$c: David Bayles, Ted Orland. |
246 | $a: Observations on the perils (and rewards) of artmaking |
260 | $a: Santa Cruz, California :$b: Image Continuum,$c: c2001. |
300 | $a: 122 pages ;$c: 21 cm. |
520 | $a: Overview: "This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially - statistically speaking - there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius." --from the Introduction |
650 | $a: 艺术家$x: 心理学 |
700 | $a: Orland, Ted.$e: author. |
850 | $a: CN$b: XAFA$c: 20240426 |
905 | $a: 261410$b: 10668766$d: J70-05$r: CNY190.88$e: B358 |
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