| 字段 | 字段内容 |
|---|---|
| 02 | |
| 001 | 02h0116502 |
| 005 | 20241009111315.0 |
| 008 | $2: 20405t20222022nyuach bc 001 0deng c |
| 010 | $a: 2022936200 |
| 020 | $a: 1885444117$q: hardcover |
| 040 | $a: UKMGB$b: eng$e: rda$c: DLC$d: UKMGB$d: TOH$d: ILO$d: MAV$d: YDX$d: ERASA$d: BDX$d: CBY$d: CUT$d: INU$d: GZM$d: OCL$d: LML$d: LMR$d: IAK$d: NJR$d: CAD$d: OCL$d: CUY$d: OCLCO$d: OSU |
| 042 | $a: lccopycat$a: pcc |
| 043 | $a: n-us---$a: f------ |
| 050 | $0: 0$a: N7380.5$b: .A37 2022 |
| 082 | $0: 4$a: 709.6$2: 23 |
| 093 | $a: J205.712$2: 5 |
| 100 | $a: Lathrop, Perrin M.,$e: editor. |
| 242 | $a: 美国的非洲现代主义 |
| 245 | $0: 0$a: African modernism in America=美国的非洲现代主义 /$c: edited by Perrin M. Lathrop. |
| 260 | $a: New York, NY :$b: American Federation of Arts,$c: 2022. |
| 300 | $a: 223 pages :$b: illustrations (chiefly color), facsimile, portraits ;$c: 28 cm. |
| 336 | $a: still image$b: sti$2: rdacontent. |
| 337 | $a: unmediated$b: n$2: rdamedia. |
| 338 | $a: volume$b: nc$2: rdacarrier. |
| 504 | $a: Includes bibliographical references (pages 207-209) and index. |
| 520 | $a: Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists' paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a "primitive" past. Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries. |
| 650 | $a: 艺术$y: 20世纪$z: 美国$v: 展览 |
| 700 | $a: Okeke-Agulu, Chika,$e: writer of afterword. |
| 710 | $a: Taft Museum of Art,$e: host institution. |
| 850 | $a: CN$b: XAFA$c: 20241008 |
| 905 | $a: 261410$b: 10693363$d: J205.712$r: CNY612.00$e: L354 |
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